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Si tu le voulais
Rosa Ponselle
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A l'aime
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4 Songs, Op. 2: 4 Songs, Op. 2: No. 2. The Nightingale and the Rose (Vostochniy romans: Plenivshis' rozoy, solovey)
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When I have sung my songs
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When I have sung my songs (unpublished take)
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Ellens Gesang III, Op. 52 No. 6, D. 839 "Ave Maria" (Hymne an die Jungfrau): Ellens Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau"
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On Wings of Dreams
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Plaisir d'amour
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Jeune fillette (arr. J.B. Weckerlin)
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Beau soir, L. 6: Beau soir
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Bonjour, Suzon!
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3 Chansons de Bilitis: No. 2. La chevelure
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Carmela, "Carmen, Carmela" (arr. G. Ross) - Carmela, "Carmen, Carmela"
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Tonadillas al estilo antiguo: 15 Tonadillas al estilo antiguo: No. 8. El mirar de la maja
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La Partida
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L'amor contrastato, "La molinara" (Highlights) - L'amor contrastato, "La molinara", Act III: Nel cor più non mi sento
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Star vicino
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A vucchella, "Arietta di Posillipo" (version for voice and piano) - A vucchella, "Arietta di Posillipo"
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Ideale (version for voice and piano): Ideale
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Marechiare (version for voice and piano): Marechiare
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Fa la nana, bambin'
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Dicitencello vuie
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Could I
Amadis: Amadis, Act II: Bois epais
Rosemonde
Guitares et mandolines
Poème de l'amour et de la mer (Poem of Love and of the Sea), Op. 19 (version for voice and piano): Le temps des lilas
4 Gesange, Op. 43: 4 Gesange, Op. 43: No. 1. Von ewiger Liebe
Schichte Weisen, Op. 4: No. 5. Mir traumte von einem Konigskind
Erlkönig, Op. 1, D. 328: Erlkonig, Op. 1, D. 328
In questa tomba oscura, WoO 133
4 Rispetti, Op. 12: 4 Rispetti, Op. 12: No. 1. Quando ti vidi a quel canto apparire
36 Arie di Stile Antico, Vol. II: O del mio amato ben
Aprile (version for voice and piano): Aprile
Amuri, Amuri
I battitori di grano
Drink to me only with thine eyes
The Night Wind
Homing
Interview with Rosa Ponselle by Ruby Mercer: Introduction and announcement of Lully's Bois epais
Interview with Rosa Ponselle by Ruby Mercer: Comments on Persico's Rosemonde
Interview with Rosa Ponselle by Ruby Mercer: Comments on Saint-Saens's Guitares et mandolines
Interview with Rosa Ponselle by Ruby Mercer: Comments on Brahms's Von ewiger Liebe
Interview with Rosa Ponselle by Ruby Mercer: Comments on Trunk's Mir traumte von einem Konigskind
Interview with Rosa Ponselle by Ruby Mercer: Comments on Schubert's Erlkonig
Interview with Rosa Ponselle by Ruby Mercer: Comments on Beethoven's In questa tomba oscura
Interview with Rosa Ponselle by Ruby Mercer: Comments on Wolf-Ferrari's Quando ti vidi a quel canto apparire
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Donaudy's O del mio amato ben
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Tosti's Aprile
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Sadero's Amuri, amuri
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Sadero's I battitori di grano
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Drink to me only with thine eyes
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Farley's The Night Wind
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Interview with Rosa Ponselle by Ruby Mercer: Comments on Riego's Homing and concluding remarks
Le nozze di Figaro, K. 492, Act II: Voi che sapete
Gli tre cicisbei ridicoli: Tre giorni son che Nina
An die Musik, Op. 88 No. 4, D. 547 - An die Musik, Op. 88, No. 4, D. 547
Der Tod und das Mädchen, Op. 7 No. 3 D. 531: Der Tod und das Madchen, Op. 7, No. 3, D. 531
5 Gedichte fur eine Frauenstimme, "Wesendonck Lieder" (arr. F. Mottl for voice and orchestra) - 5 Gedichte fur eine Frauenstimme, Op. 91, "Wesendonck Lieder": No. 5. Traume
4 Lieder, Op. 27 TrV 170: 4 Lieder, Op. 27, TrV 170: No. 4. Morgen
6 Romances, Op. 6 (text by L.A. Mey): 6 Romances, Op. 6: No. 6. Nur wer die Sehnsucht kennt (None but the Lonely Heart)
L'Invitation au voyage (version for voice and piano)
Psyche
Tristesse eternelle (arr. of Chopin's Etude No. 3 in E Major, Op. 10, No. 3)
7 Canciones populares españolas: No. 3. Asturiana
7 Canciones populares españolas: No. 5. Nana
My Lovely Celia
Sketches of Paris: Sketches of Paris: No. 4. In the Luxembourg Gardens
Agnus Dei
Ave Maria
Se
Colombetta, "Serenata veneziana"
