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1
The Firste Booke of Songes, 1597: No. 17, Come Again, Sweet Love doth Now Invite
Janet BakerRobert Spencer
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The Third and Fourth Booke of Ayres, 1617: No. 14, Neuer loue vnlesse you can
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The Third and Fourth Booke of Ayres, 1617: No. 1, Oft have I sigh'd for him that hears me not
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The Third and Fourth Booke of Ayres, 1617: No. 7, If thou long'st so much to learn
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The Third and Fourth Booke of Ayres, 1617: No. 25, Fain would I wed a fair young man
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Sleep, Adam, Sleep and Take Thy Rest, Z. 195
Janet BakerMartin IseppAmbrose Gauntlett
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Lord, What is Man, Z. 192
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My lovely Celia: "My lovely Celia, heav'nly fair"
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Tell me, lovely shepherd (Arr. Poston)
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Where the Bee Sucks (From Shakespeare's "The Tempest")
Janet BakerMartin IseppAmbrose GauntlettDouglas Whittaker
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Ayres and Dialogues, Book III: No. 29, A Dialogue Upon a Kisse. "Among Thy Fancies Tell Me This"
Janet BakerDietrich Fischer-DieskauGeorge MalcolmKenneth Heath
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A Dialogue between Charon and Philomel: "Charon! O gentle Charon! … What voice so sweet" (Philomel, Charon)
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A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne)
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Giù nei Tartari Regni, HWV 187
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Quando in calma ride il mare, HWV 191
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Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" (Arr. for Two Voices and Piano)
Janet BakerDietrich Fischer-DieskauDaniel Barenboim
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Pausanias, Z. 585: No. 2, Song. "My Dearest, My Fairest" (Arr. for Two Voices and Piano)
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The Maid's Last Prayer, Z. 601: No. 2, Song. "No, Resistance Is but Vain" (Arr. for Two Voices and Piano)
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King Arthur, Z. 628, Act 2: Duet. "Shepherd, Shepherd, Leave Decoying" (Perf. by Voices and Piano)
English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
Janet BakerGerald Moore
English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)
La Belle dame sans merci: "O what can ail thee, knight-at-arms"
Linden Lea
3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)
Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
The Fields Are Full of Summer Still
Pretty Ring Time: "It was a lover and his lass"
Rest: "On me to rest, my bird my bird"
Corpus Christi Carol (From A Boy Was Born, Op. 3)
Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)
5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)
Bushes and Briars (Voice and Piano Version)
5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)
Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)
5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)
Gavotte: "Memories long in music sleeping"
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Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lass
21
Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)
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Spring Symphony, Op. 44, Pt. 2: VIII. Out on the Lawn I Lie in Bed
André PrevinLondon Symphony OrchestraJanet BakerLondon Symphony Chorus
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Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)
Janet Baker
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Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)
Janet BakerOrchestra Of The Royal Opera House, Covent GardenLawrence Foster
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Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)