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J.L. Bach: Suite in G: Air I
Musica Antiqua KölnReinhard Goebel
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Biber: Mensa sonora, Pars I in D Major, C. 69: I. Sonata. Grave – Allegro
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Biber: Mensa sonora, Pars I in D Major, C. 69: II. Allamanda
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Biber: Mensa sonora, Pars I in D Major, C. 69: III. Courante
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Biber: Mensa sonora, Pars I in D Major, C. 69: IV. Sarabanda
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Biber: Mensa sonora, Pars I in D Major, C. 69: V. Gavotte
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Biber: Mensa sonora, Pars I in D Major, C. 69: VI. Gigue – Sonatina. Adagio
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Biber: Mensa sonora, Pars II in F Major, C. 70: I. Intrada. Alla breve
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Biber: Mensa sonora, Pars II in F Major, C. 70: II. Balletto. Alla breve (I)
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Biber: Mensa sonora, Pars II in F Major, C. 70: III. Sarabanda (I)
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Biber: Mensa sonora, Pars II in F Major, C. 70: IV. Balletto. Alla breve (II)
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Biber: Mensa sonora, Pars II in F Major, C. 70: V. Sarabanda (II)
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Biber: Mensa sonora, Pars II in F Major, C. 70: VI. Balletto. Alla breve (III)
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Biber: Mensa sonora, Pars III in A Minor, C. 71: I. Gagliarda. Allegro
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Biber: Mensa sonora, Pars III in A Minor, C. 71: II. Sarabanda
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Biber: Mensa sonora, Pars III in A Minor, C. 71: III. Aria
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Biber: Mensa sonora, Pars III in A Minor, C. 71: IV. Ciacona
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Biber: Mensa sonora, Pars III in A Minor, C. 71: V. Sonatina. Adagio – Presto
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Heinichen: Concerto in F Major, S. 234: I. Vivace
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Heinichen: Concerto in F Major, S. 234: II. Adagio
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Heinichen: Concerto in F Major, S. 234: III. Un poco allegro
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Heinichen: Concerto in F Major, S. 234: IV. Allegro
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Heinichen: Concerto in G Major, S. 213: I. Allegro
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Heinichen: Concerto in G Major, S. 213: II. Larghetto
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Heinichen: Concerto in G Major, S. 213: III. Allegro
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Heinichen: Concerto in G Major, S. 213: IV. Entrée
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Heinichen: Concerto in G Major, S. 213: V. Loure. Cantabile
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Heinichen: Concerto in G Major, S. 213: VI. Tempo di menuet – Air italienne
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Heinichen: Concerto in F Major, S. 235: I. Vivace
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Heinichen: Concerto in F Major, S. 235: II. Andante
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Heinichen: Concerto in F Major, S. 235: III. Presto
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Heinichen: Concerto in F Major, S. 235: IV. Alla breve
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Heinichen: Concerto in F Major, S. 235: V. Allegro
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Heinichen: Concerto in F Major, S. 233: I. Allegro
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Heinichen: Concerto in F Major, S. 233: II. Andante più tosto un poco Allegro
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Heinichen: Concerto in F Major, S. 233: III. Presto
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): Ballo. Sinfonia
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): 1. Marche
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): 2. Andantino
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): 3. Allegretto
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): 4. Moderato
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): 5. Menuetto - (Trio) - Menuetto
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Gluck: Alessandro. (Les amours d'Alexandre et de Roxane): 6. Antipoisino
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Reincken: Sonata in A minor: 1. Adagio - 2. Allegro - 3. Largo/Presto/Adagio/Allegro
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Reincken: Sonata in A minor: 4. Allemande. Allegro
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Reincken: Sonata in A minor: 5. Courante
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Reincken: Sonata in A minor: 6. Sarabande
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Reincken: Sonata in A minor: 7. Gigue. Presto
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Westhoff: Sonata "La guerra" in A Major: 1. Adagio con una dolce maniera - Allegro
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Westhoff: Sonata "La guerra" in A Major: 2. Tremulo Adagio
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Westhoff: Sonata "La guerra" in A Major: 3. Allegro ovvero un poco presto
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Westhoff: Sonata "La guerra" in A Major: 4. Adagio
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Westhoff: Sonata "La guerra" in A Major: 5. Aria (Adagio assai)
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Westhoff: Sonata "La guerra" in A Major: 6. La Guerra cosí nominata di sua maestà
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Westhoff: Sonata "La guerra" in A Major: 7. Aria (Tutto Adagio)
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Westhoff: Sonata "La guerra" in A Major: 8. Vivace
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Westhoff: Sonata "La guerra" in A Major: 9. Gigue
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Pachelbel: Partie (Suite) in G Major: I. Sonatina (Adagio)
Henk BoumanMusica Antiqua KölnReinhard Goebel
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Pachelbel: Partie (Suite) in G Major: II. Allemande
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Pachelbel: Partie (Suite) in G Major: III. Gavotte
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Pachelbel: Partie (Suite) in G Major: IV. Courante
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Pachelbel: Partie (Suite) in G Major: V. Aria
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Pachelbel: Partie (Suite) in G Major: VI. Sarabande
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Pachelbel: Partie (Suite) in G Major: VII. Gigue
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Pachelbel: Partie (Suite) in G Major: VIII. Finale. Adagio
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Pachelbel: Canon and Gigue in D Major: I. Canon
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Pachelbel: Canon and Gigue in D Major: II. Gigue
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Riedl: Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) – Fanfare II (Augustiner)
GabrieliPaul McCreesh
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Biber: Missa Salisburgensis, C App. 101: I. Kyrie
Musica Antiqua KölnReinhard GoebelGabrieliPaul McCreesh
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Biber: Missa Salisburgensis, C App. 101: II. Gloria
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Sonatae tam aris quam aulis servientes, C. 114-137: XII. Sonata a 8 in C Major, C. 125
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Biber: Missa Salisburgensis, C App. 101: III. Credo
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Sonatae tam aris quam aulis servientes, C. 114-137: V. Sonata a 6 in E Minor, C. 118
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Biber: Missa Salisburgensis, C App. 101: IV. Sanctus – Benedictus
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Biber: Missa Salisburgensis, C App. 101: V. Agnus Dei
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Missa Salisburgensis - Sonata Sancti Polycarpi a 9, C. 113
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Missa Salisburgensis - Biber: Plaudite tympana a 54, C.App. 106
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Muffat: Ciacona
Timothy Roberts
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Biber: Mass In B à 6: Kyrie
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Biber: Mass In B à 6: Gloria
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Schmelzer: Sonata XIII
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Megerle: Peccator and consolator (à 2)
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Biber: Mass In B à 6: Sanctus
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Frescobaldi: Praeludium legatura
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Biber: Mass In B à 6: Agnus Dei
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Lassus: Ave verum corpus (à 6)
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Schmelzer: Sonata II
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Anonymous: Praeludium
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Biber: Requiem In F Minor: Introitus
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Biber: Requiem In F Minor: Kyrie (I)
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Biber: Requiem In F Minor: Dies irae
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Biber: Requiem In F Minor: Domine Jesu Christe
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Biber: Requiem In F Minor: Sanctus (I)
Paul McCreeshGabrieli
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Biber: Requiem In F Minor: Agnus Dei (I)
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Biber: Requiem In F Minor: Lux aeterna
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Biber: Sonata violino solo representativa, C. 147: I. Allegro
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Biber: Sonata violino solo representativa, C. 147: II. Die Nachtigall
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Biber: Sonata violino solo representativa, C. 147: III. Cucu
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Biber: Sonata violino solo representativa, C. 147: IV. Der Frosch – Adagio
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Biber: Sonata violino solo representativa, C. 147: V. Die Henne – Der Hahn. Allegro – Presto
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Biber: Sonata violino solo representativa, C. 147: VI. Die Wachtel. Adagio
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Biber: Sonata violino solo representativa, C. 147: VII. Die Katz
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Biber: Sonata violino solo representativa, C. 147: VIII. Musketier-Marsch
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Biber: Sonata violino solo representativa, C. 147: IX. Allemande
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Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: I. Sonata. Grave – Allegro – Adagio
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Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: II. Allamanda
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Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: III. Courante
108
Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: IV. Balletto
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Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: V. Sarabanda
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Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: VI. Gigue. Presto
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Biber: Mensa sonora, Pars IV in B-Flat Major, C. 72: VII. Sonatina. Adagio
112
Biber: Mensa sonora, Pars V in E Major, C. 73: I. Intrada. Allegro
113
Biber: Mensa sonora, Pars V in E Major, C. 73: II. Balletto
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Biber: Mensa sonora, Pars V in E Major, C. 73: III. Trezza
115
Biber: Mensa sonora, Pars V in E Major, C. 73: IV. Gigue (I)
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Biber: Mensa sonora, Pars V in E Major, C. 73: V. Gavotte. Alla breve
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Biber: Mensa sonora, Pars V in E Major, C. 73: VI. Gigue (II)
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Biber: Mensa sonora, Pars V in E Major, C. 73: VII. Retirada
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: I. Sonata. Adagio – Presto
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: II. Aria
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: III. Canario. Presto
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: IV. Amener
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: V. Trezza
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: VI. Ciacona
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Biber: Mensa sonora, Pars VI in G Minor, C. 74: VII. Sonatina. Adagio – Presto
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Heinichen: Sinfonia in A Major, S. 208: I. Allegro
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Heinichen: Sinfonia in A Major, S. 208: II. Adagio e staccato
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Heinichen: Sinfonia in A Major, S. 208: III. Allegro
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Heinichen: Concerto Movement in C Minor, S. 240. VIvace
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Heinichen: Concerto in F Major, S. 231: I. Vivace
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Heinichen: Concerto in F Major, S. 231: II. Arioso
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Heinichen: Concerto in F Major, S. 231: III. Allegro
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Biber: Harmonia artificioso-ariosa, Partia I, C. 62: I. Sonata. Adagio – Presto – Adagio
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Biber: Harmonia artificioso-ariosa, Partia I, C. 62: II. Allamande
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Biber: Harmonia artificioso-ariosa, Partia I, C. 62: III. Gigue – Variatio I & II
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Biber: Harmonia artificioso-ariosa, Partia I, C. 62: IV. Aria
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Biber: Harmonia artificioso-ariosa, Partia I, C. 62: V. Sarabande – Variatio I & II – Finale. Presto
138
Biber: Harmonia artificioso-ariosa, Partia II, C. 63: I. Praeludium. Allegro
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Biber: Harmonia artificioso-ariosa, Partia II, C. 63: II. Allamande – Variatio
140
Biber: Harmonia artificioso-ariosa, Partia II, C. 63: III. Balletto. Allegro
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Biber: Harmonia artificioso-ariosa, Partia II, C. 63: IV. Aria. Presto
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Biber: Harmonia artificioso-ariosa, Partia II, C. 63: V. Gigue. Presto
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Biber: Harmonia artificioso-ariosa, Partia III, C. 64: I. Praeludium. Allegro
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Biber: Harmonia artificioso-ariosa, Partia III, C. 64: II. Allamande
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Biber: Harmonia artificioso-ariosa, Partia III, C. 64: III. Amener. Presto
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Biber: Harmonia artificioso-ariosa, Partia III, C. 64: IV. Balletto. Alla breve (II)
147
Biber: Harmonia artificioso-ariosa, Partia III, C. 64: V. Gigue. Presto
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Biber: Harmonia artificioso-ariosa, Partia III, C. 64: VI. Ciacona (Canon in unisono)
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Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: I. Sonata. Adagio – Allegro – Adagio
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Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: II. Allamande – Variatio
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Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: III. Trezza. Presto
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Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: IV. Aria. Presto
153
Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: V. Canaria
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Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: VI. Gigue. Presto
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Biber: Harmonia artificioso-ariosa, Partia IV, C. 65: VII. Pollicinello. Presto
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Biber: Harmonia artificioso-ariosa, Partia V, C. 66: I. Intrada. Alla breve
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Biber: Harmonia artificioso-ariosa, Partia V, C. 66: II. Aria. Adagio
158
Biber: Harmonia artificioso-ariosa, Partia V, C. 66: III. Balletto. Presto
159
Biber: Harmonia artificioso-ariosa, Partia V, C. 66: IV. Gigue
160
Biber: Harmonia artificioso-ariosa, Partia V, C. 66: V. Passacaglia. Adagio – Allegro – Adagio
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Biber: Harmonia artificioso-ariosa, Partia VI, C. 67: I. Praeludium. Adagio – Allegro
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Biber: Harmonia artificioso-ariosa, Partia VI, C. 67: II. Aria – Variatio I-XIII
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Biber: Harmonia artificioso-ariosa, Partia VI, C. 67: III. Finale. Adagio – Allegro
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Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: I. Praeludium. Grave – Presto
165
Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: II. Allamande
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Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: III. Sarabande
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Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: IV. Gigue. Presto
168
Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: V. Aria
169
Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: VI. Trezza
170
Biber: Harmonia artificioso-ariosa, Partia VII, C. 68: VII. Arietta variata
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J.M. Bach: Ach, bleib bei uns, Herr Jesu Christ
Andreas StaierMusica Antiqua KölnReinhard GoebelRheinische Kantorei
172
J.M. Bach: Auf, laßt uns den Herren loben
Ulla GroenewoldMusica Antiqua KölnReinhard GoebelAndreas Staier
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J.M. Bach: Es ist ein großer Gewinn
Maria ZedeliusMusica Antiqua KölnReinhard GoebelAndreas Staier
174
J.M. Bach: Liebster Jesu, hör mein Flehen Dialog zum Sonntag Reminiscere
Maria ZedeliusDavid CordierPaul ElliottHein MeensMichael SchopperMusica Antiqua KölnReinhard Goebel
175
J.M. Bach: Ach, wie sehnlich wart' ich der Zeit
Maria ZedeliusAndreas StaierMusica Antiqua KölnReinhard Goebel
176
G.C. Bach: Siehe, wie fein und lieblich Geburtstagskantate (Psalm 133)
Paul ElliottHein MeensStephen VarcoeAndreas StaierMusica Antiqua KölnReinhard Goebel
177
J. Christoph Bach: Es erhub sich ein Streit Kantate zum Michaelissonntag
Maria ZedeliusUlla GroenewoldPaul ElliottMichael SchopperStephen VarcoeMusica Antiqua KölnRheinische KantoreiReinhard GoebelHermann MaxAndreas Staier
178
J. Christoph Bach: Ach, dass ich Wassers g'nug hätte Lamento
David CordierMusica Antiqua KölnReinhard GoebelAndreas Staier
179
J. Christoph Bach: Die Furcht des Herren Kantate zu einem Ratswechsel
Maria ZedeliusUlla GroenewoldDavid CordierPaul ElliottMichael SchopperMusica Antiqua KölnRheinische KantoreiReinhard GoebelHermann MaxAndreas Staier
180
H. Bach: Ich danke dir, Gott Kantate zum 17. Sonntag nach Trinitatis
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J. Christoph Bach: Ach, dass ich Wassers g'nug hätte "Lamento"
Magdalena KoženáMusica Antiqua KölnReinhard Goebel
182
J.S. Bach: Languet anima mea, BWV Suppl. 2, S. 650 (After F.B. Conti): I. Recit. Languet anima mea
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J.S. Bach: Languet anima mea, BWV Suppl. 2, S. 650 (After F.B. Conti): II. Aria. O vulnera, vita coelestis
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J.S. Bach: Languet anima mea, BWV Suppl. 2, S. 650 (After F.B. Conti): III. Recit. Amoris tui jaculo
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J.S. Bach: Languet anima mea, BWV Suppl. 2, S. 650 (After F.B. Conti): IV. Aria. Tu lumentis es
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J.S. Bach: Languet anima mea, BWV Suppl. 2, S. 650 (After F.B. Conti): V. Alleluja
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J.S. Bach: Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 1, Aria. Vergnügte Ruh', beliebte Seelenlust
188
J.S. Bach: Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 2, Recit. Die Welt, das Sündenhaus
189
J.S. Bach: Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 3, Aria. Wie jammern mich doch die verkehrten Herzen
190
J.S. Bach: Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 4, Recit. Wer sollte sich demnach wohl hier zu leben wünschen
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J.S. Bach: Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 5, Aria. Mir ekelt mehr zu leben
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J.S. Bach: Bekennen will ich seinen Namen, BWV 200 (After Stölzel): I. Aria. Bekennen will ich seinen Namen
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C.P.E. Bach: Selma, H. 739
194
J.C.F. Bach: Die Amerikanerin: I. Andante. Saide, komm!
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J.C.F. Bach: Die Amerikanerin: II. Andantino grazioso. Schön ist mein Mädchen – Saide, komm (Reprise)
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J.C.F. Bach: Die Amerikanerin: III. Recit. Poco allegro. Du Quell, der sich durch Goldsand schlängelt
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J.C.F. Bach: Die Amerikanerin: IV. Allegro. Mein Herz fleucht ihr entgegen – Larghetto grazioso. Wie Ambraduft
198
J.L. Bach: Suite in G: Ouverture
